An eminently binge-able series that honors classic horror tropes while reinventing them in surprising ways
Widow’s Bay, the delightfully eccentric new comedic horror series from Apple TV, is easily one of the best new series of the year. There’s a reason everyone from Guillero del Toro and Ben Stiller to Damon Lindelolf (Lost) is raving about the show. It’s an eminently binge-able, addictive series that pays tribute to all the classic horror tropes while reinventing them in surprising ways. Think Stephen King meets Parks and Recreation, with a dash of Twin Peaks—except Widow’s Bay is very much its own refreshingly original beast.
(Some spoilers below but no major reveals.)
Tom Loftis (Matthew Rhys) is a widower and mayor of Widow’s Bay, a quirky little seaside town that has a colorfully bizarre history marked by periodic tragedies. Tom is eager to elevate the town into a trendy summer tourist destination. But the arrival of New York Times travel writer Arthur Lloyd (Bashir Salahuddin), who has the clout to make Tom’s aspirations for Widow’s Bay come true, coincides with the onset of a mysterious fog. Local resident Wyck (Stephen Root) warns Tom that the fog is an omen that the island is “waking up,” meaning more supernatural occurrences are bound to happen.
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